Wo hat hitler in münchen gewohnt

Das kleine Zimmer war schmal geschnitten, das Bett verdeckte einen Teil des Fensters. An der Wand gegenüber standen ein Stuhl, ein Tisch sowie ein rohes Regal mit Büchern. Auf dem Boden lag billiges, abgetretenes Linoleum, darauf einige kleine Teppiche.

Trotz der Kargheit hing Adolf Hitler an seinem Zimmer in der Münchner Thierschstraße 41, nur der Lärm der Tram von der nahen Haltestelle störte ihn. Knapp zehn Jahre lang wohnte er hier.

Beim Einzug 1920 war er noch ein unbekannter, mittelloser Veteran des Ersten Weltkriegs, beim Auszug 1929 bereits ein Politpromi. Zwar dümpelte die NSDAP noch als Splitterpartei vor sich hin. Aber Hitler war nach seinem Putschversuch 1923 bekannt geworden. Wegen Hochverrats musste er ein gutes Jahr ins Gefängnis, sein Zimmer in der Thierschstraße behielt er in dieser Zeit.

Nun hat der Münchner Historiker Paul Hoser das Leben Hitlers in dem fünfgeschossigen Haus erforscht(*). Dabei stellte sich heraus, dass der Eigentümer Hugo Erlanger Jude war und den Untermieter Hitler offenbar mochte.

1934 erzählte Erlanger jedenfalls einem Hitler-freundlichen Biografen namens Heinz A. Heinz: "Ich muss zugeben, dass ich Hitler ganz sympathisch fand. Ich begegnete ihm oft auf der Treppe oder am Eingang - meistens schrieb er gerade etwas in ein Notizbuch - und üblicherweise wechselte er mit mir recht freundlich einige unverbindliche Worte. Er gab mir nie das Gefühl, dass er mich anders als andere Leute betrachtete." Erlanger war acht Jahre älter als der NSDAP-Chef und wie dieser ein ehemaliger Kriegsfreiwilliger. Der Großhändler führte einen Laden im Erdgeschoss. Das Haus erwarb er wenige Monate nachdem Hitler sich dort eingerichtet hatte. Es wurde bald zu einem Nazi-Nest.

Hitler empfing Mitarbeiter, andere Putschisten, Anhänger. Etwa Philipp Bouhler, ab 1939 Beauftragter für die systematische Ermordung von Kranken und Behinderten. Oder Wilhelm Frick, Innenminister im "Dritten Reich" und 1946 wegen Verbrechen gegen die Menschlichkeit hingerichtet. Und die getreue Winifred Wagner, Schwiegertochter Richard Wagners und später Leiterin der Bayreuther Festspiele.

Dabei wohnte Hitler nur zur Untermiete. Die Reicherts hatten den 31-Jährigen aufgenommen, eine Familie, die er rasch für sich einnahm. 1920 trat Vater Ernst, der im Weinhandel arbeitete, in die NSDAP ein.

Man ging familiär miteinander um. Hitlers damaliger Vertrauter Ernst Hanfstaengl durfte auf dem Klavier der Reicherts spielen, Hitler wiederum verlieh Grammophon und Bücher. 1925 übernahm er ein zweites Zimmer und nutzte dann auch den Korridor als Vorzimmer. Dort schlief gelegentlich sein Adjutant auf einem Sofa.

Einige Bewunderinnen haben später über einen Besuch bei ihrem Idol berichtet. Zunächst warteten sie im Wohnzimmer der Reicherts auf sein Kommen. Schließlich erschien er und bat sie in sein Arbeitszimmer. Sie nahmen auf Küchenhockern Platz, dann schwadronierte er los. Angeblich waren die Frauen hingerissen: "Er schaute mir so tief und warm in die Augen, dass es mich jäh durchfuhr: Auf mich sollst du dich in Ewigkeit verlassen können!" Hauseigentümer Erlanger ignorierte den Trubel: "Da ich Jude bin, habe ich mich so wenig wie möglich um die Aktivitäten meines Hausbewohners und der Nationalsozialisten gekümmert." Es gibt auch einige andere Fälle, in denen sich Hitler gegenüber Juden höflich oder sogar freundlich verhielt.

Manchmal aus Dankbarkeit. Etwa im Fall des Hausarztes seiner Mutter, die 1907 an Krebs verstorben war. Der Mediziner hatte sich um die Kranke bemüht und eine sehr faire Rechnung geschrieben. Der 18-jährige Hitler versprach, er werde "ewig dankbar" sein. Nach dem Anschluss Österreichs 1938 bot er dem Arzt an, "Ehrenarier" zu werden. Der Mann lehnte ab und emigrierte 1940 in die USA.

Ein anderes Beispiel ist aus dem Frühjahr 1922 überliefert. Hitler saß mit Spießgesellen im Café Hofgarten in München zusammen, am Nebentisch der jüdische Schriftsteller Lion Feuchtwanger mit Begleitung. Als Feuchtwangers Runde zahlte, sprang Hitler auf und nahm dem Literaten den Mantel aus der Hand: "Darf ich, Herr Doktor?" Dann half er dem überraschten Feuchtwanger hinein.

Schauspielerei? Ein zynischer Scherz? Historiker Hoser vermutet, Hitlers Judenhass habe sich "nicht so sehr gegen reale Einzelpersonen als gegen ein verzerrtes, seiner Fantasie entsprungenes Phantombild des Juden" gerichtet. Eine These, die schon der Hitler-Biograf Alan Bullock vertrat.

Erlanger verlor 1934 seine Immobilie an die Stadt München. Die Umstände sind unklar, vermutlich sollte vertuscht werden, dass Hitler bei einem Juden gewohnt hatte.

1938 wurde Erlanger vorübergehend im KZ Dachau eingesperrt, später musste er Zwangsarbeit in Bayern leisten. Weil er mit einer Nichtjüdin verheiratet war, entging er der Deportation in ein Vernichtungslager und überlebte den Holocaust.

Seinen Untermieter hat er nie wiedergesehen.

* Paul Hoser: "Thierschstraße 41. Der Untermieter Hitler, sein jüdischer Hausherr und ein Restitutionsproblem", in: Vierteljahrshefte für Zeitgeschichte 65, 2017 H2.

Here, writing for History Extra, Stratigakos explores the fascination with Hitler’s domestic life…

On 16 March 1941, with European cities ablaze and Jews being herded into ghettos, the New York Times Magazine featured an illustrated story on Adolf Hitler’s retreat in the Berchtesgaden Alps. Adopting a neutral tone, correspondent C Brooks Peters noted that historians of the future would do well to look at the importance of “the führer’s private and personal domain,” where discussions about the war front were interspersed with “strolls with his three sheep dogs along majestic mountain trails”.

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For more than 70 years, we have ignored Peters’s call to take Hitler’s domestic spaces seriously. When we think of the stage sets of Hitler’s political power, we are more likely to envision the Nuremberg Rally Grounds than his living room. Yet it was through the architecture, design and media depictions of his homes that the Nazi regime fostered a myth of the private Hitler as peaceable homebody and good neighbour. In the years leading up to the Second World War, this image was used strategically and effectively, both within Germany and abroad, to distance the dictator from his violent and cruel policies. Even after the outbreak of war, the favourable impression of the off-duty führer playing with dogs and children did not immediately fade.

Hitler maintained three residences during the Third Reich: the Old Chancellery in Berlin; his Munich apartment; and Haus Wachenfeld (later the Berghof), his mountain home on the Obersalzberg. All three were thoroughly renovated in the mid-1930s and facilitated the creation of a new, sophisticated persona for the führer.

The Old Chancellery had, since 1871, been the official residence of German chancellors. After being appointed chancellor in 1933, Hitler refused to move into the building because he was sensitive to what this “shabby” palace (in his eyes) would say about him. The chancellery was in the heart of the government district, and Hitler felt that these buildings, including the chancellor’s residence, had a role to play in reclaiming Germany’s lost diplomatic prestige following the First World War.

Hitler therefore hired the Munich-based architect Paul Ludwig Troost to renovate its public and private spaces. When Troost died in January 1934, the work was assumed by his widow, Gerdy, who began a new design firm, the Atelier Troost. She would henceforth become Hitler’s main interior decorator.

In the renovated public spaces of the Old Chancellery, the dominant object in the main reception hall, where Hitler entertained foreign diplomats and reporters, was a vast Persian-patterned carpet. Hitler liked to tell the story that this luxurious carpet originally had been ordered by the League of Nations for its new Geneva headquarters, but when it was completed, the league was short of funds and could not pay, so he acquired it for his official residence. Hitler thus presented himself – no doubt with mocking reference to having withdrawn Germany from the League in October 1933 – as literally pulling the carpet out from under them.

Hitler claimed that he personally paid for the costly Old Chancellery renovations as a service to the nation. Gerdy Troost’s invoices, however, reveal that it was German taxpayers, struggling through the Great Depression, who largely footed the bill.

Hitler’s Munich apartment

The luxury apartment at 16 Prince Regent Square in the Bogenhausen district of Munich, occupied by Hitler in October 1929, also made a statement: it signalled the firebrand politician’s social respectability to the city’s better classes. The apartment spanned the entire third floor of the imposing five-storey building designed in a Jugendstil style [in German ‘Youth Style’] by the Munich architect Franz Popp in 1907–08.

In January 1935, Hitler hired the Atelier Troost to renovate and redecorate his spacious Munich apartment at the extravagant cost of 120,000 Reichsmarks – more than 10 times the average income earned by a doctor in Germany that year. On 25 April 1935, when the apartment was nearing completion, The Daily Telegraph published an article about the renovations stating that the führer was overseeing the work and that “all the furnishings and decorations are being carried out according to Herr Hitler’s own designs”.

Since the source for the article was likely the Nazis’ own press office, the erroneous attribution of the creative work to Hitler seems deliberate. The article reported on the führer’s love for German art and his passion for music, telling readers that “the decorations in his flat follow the German heroic colour scheme of blue, gold and white, made famous in Wagner’s operas, and the furnishing is all of the same style”. Through the reinvention of his domestic spaces, Hitler was thus portrayed as an artist and composer in his own right. While the article implied his wealth, it also gave the impression of a man so devoted to art and culture that even the colour of his pillows spoke to his idealism.

On the morning of 30 September 1938, Neville Chamberlain met privately with Hitler in his Munich apartment. The previous day and night, Hitler, Chamberlain, Benito Mussolini, and the French prime minister, Édouard Daladier, had debated and eventually signed the Munich Agreement, which had sealed Czechoslovakia’s dismemberment. Chamberlain went to see Hitler privately to ask him to sign a short joint declaration that the Munich Agreement and the Anglo-German Naval Agreement signed in 1935 symbolised the desire of the two nations never again to go to war with one other.

Heinrich Hoffmann, Hitler’s photographer, recorded the meeting of the two leaders. In an image released to the public, we see Chamberlain, Hitler and Paul Schmidt, Hitler’s translator, seated in the living room. Hitler, who occupies the centre of the photograph, is framed by markers of his cultivation: rows of fine books and German and Renaissance painting and sculpture.

During their conversation, Chamberlain had asked that, if Czechoslovakia resisted Germany’s annexation of parts of its territory, its women and children be spared aerial attacks, to which Hitler replied that he hated the idea of babies being killed by bombs. In the photograph, the carefully chosen objects around Hitler seemed to reinforce the reassurance that Chamberlain sought, suggesting that he was negotiating with a man who understood and shared Europe’s highest cultural values.

Almost as soon as work was completed on his Munich apartment, Hitler undertook a massive expansion and renovation of Haus Wachenfeld on the Obersalzberg, the place most Germans identified as the home of their führer. The work began in late 1935 and was completed the following summer. What had once been a modest chalet was now transformed into the Berghof, a large and carefully guarded compound. The structural expansion was undertaken according to Hitler’s proposals by the Bavarian architect Alois Degano; the interiors were completed by the Atelier Troost, also working closely with Hitler.

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Images of the Berghof and its happy owner, most of them taken by Hoffmann, were widely distributed and collected during the Third Reich. The mountain served as a medium to humanise Germany’s leader through his contact with animals and children. Hoffmann’s camera captured the off-duty führer handing out treats to deer and toddlers, in the seemingly perpetual sunshine of the Alps. In such officially produced propaganda, as well as in a host of popular merchandise depicting Hitler’s mountain chalet, Germans consumed fantasies about an ideal domestic life rooted in the natural landscape. These ‘homey’ images captured the promised land of abundance and happiness at the end of their years of suffering, the beauty interwoven with the regime’s brutal policies of war and extermination. For tens of thousands of Germans, the Obersalzberg also became a place of pilgrimage, where one might lay eyes or even hands on the man who many perceived as the nation’s saviour.

To the broader world, the renovated Berghof proclaimed Hitler’s maturation and confidence: in its stately and carefully appointed spaces, Germany’s leader greeted kings and princes, prime ministers and marshals, religious leaders, secretaries of state and ambassadors. It was where he negotiated with the powers of Europe that stood between him and his vision of a greater German Reich.

Like the renovation itself, the Great Hall – the centrepiece of the Berghof – was meant to convey the ‘new’ Hitler, not the ex-corporal who roused rebels in beer halls or the dictator who cut down his opponents in cold blood, but rather a powerful, cultivated and, above all, trustworthy statesman.

Hitler spent more than a third of his 12 years in power at his mountain home. Even a war did not seem reason enough to sacrifice its pleasures, and, after 1939, the Berghof became a military headquarters from which he conducted battles and planned strategy. Hitler, it has been said, pioneered the work-from-home movement, and the Great Hall was at the centre of his intention to rule an empire from the comfort of his living room sofa.

Despina Stratigakos is associate professor and interim chair of architecture at the University at Buffalo, State University of New York, and the author of Hitler at Home (Yale University Press 2015).

This article was first published by History Extra in November 2015