What is Slims reaction to Carlsons shooting Candys dog?

The dog of Candy, the elderly, disabled swamper on the ranch in Soledad, is a parallel to Candy himself as well as to the relationship between George and Lennie. After losing his hand in an accident several years ago, Candy has been allowed to stay on, but is relegating to doing odd jobs devoid of physical labor. Similarly, Candy’s dog, which he has raised from puppyhood, was once a star sheep herder—now, though, Candy’s dog is old, lame, and blind, and carries with it a horrible stench everywhere it goes. On the evening of George and Lennie’s arrival on the ranch, Carlson, another laborer, decides that enough is enough, and all but forces Candy into letting him put the dog back outside using his pistol. Candy’s reluctance to put down the dog reflects George’s own reluctance to abandon and ultimately kill Lennie—George is attached to his mentally-disabled friend despite the very real danger and liability of Lennie’s weaknesses in much the same way Candy is attached to the dog despite its nuisances. Candy eventually relents, however, just as George eventually relents to putting Lennie out of certain misery by shooting him at the end of the novella. Candy enters a silent state of dissociation as he listens to his best friend’s execution. For Candy, his dog ultimately represents Candy’s fear of being singled out for his own weakness—and, more largely, the unforgiving atmosphere at the ranch (and across the American West during the Depression more generally), which favors the strong and despises the weak.

We have just read Chapter 3/Section 3 of Of Mice and Men. During this part of the book Steinbeck describes the death of Candy’s dog, the sharing of ‘The Dream’ with Candy and the fight between Curley and Lennie.

Candy’s dog represents the fate awaiting anyone who has outlived his or her purpose during the time the novel was set (1930s). Candy’s dog was originally a useful addition to the ranch however due to old age the dog is now viewed as useless. Candy’s allegiance to the dog means nothing on the ranch, amongst workers who travel alone and try to avoid striking up relationships and bonds with others. Carlson’s promise to kill the dog painessly contradicts Steinbeck’s aims/message – in the cruelty of life the strong will dispose of the weak. Candy’s own fears are represented through the death of the dog – he fears he himself will soon reach a point when he is not longer useful on the ranch and therefore no longer welcome. An important point to note is Slim’s approval of the killing of Candy’s dog – Slim convinces Candy it is the right thing to do:

“Well, you ain’t bein’ kind to him keepin’ him alive,” said Carlson. “Look, Slim’s bitch got a litter right now. I bet Slim would give you one of them pups to raise up, wouldn’t you, Slim?”

The skinner had been studying the old dog with his calm eyes. “Yeah,” he said. “You can have a pup if you want to.” He seemed to shake himself free for speech. “Carl’s right, Candy. That dog ain’t no good to himself. I wisht somebody’d shoot me if I get old an’ a cripple.”

Candy looked helplessly at him, for Slim’s opinions were law. “Maybe it’d hurt him,” he suggested. “I don’t mind takin’ care of him.”

Carlson said, “The way I’d shoot him, he wouldn’t feel nothing. I’d put the gun right there.” He pointed with his toe. “Right back of the head. He wouldn’t even quiver.” 

Below are a few resources that will help you understand more about the character of Candy and the significance of his dog.

Take a look at this website: Analysis of Chapter 3

Additional points to consider:

Have you considered the ways in which Steinbeck creates suspense and tension while the bunkhouse men waited to hear the sound of Carlson’s gun outside, killing Candy’s dog? The men playing cards and engaging in small talk while waiting for Candy’s dog to be shot is very tense – how and why?

We will continue to work on this chapter during tomorrow’s lesson.

Miss O

The way the characters react towards the shooting of Candy’s dog reveals a lot abut the characters that we might not have expected. Carlson offers to shoot the old dog, complaining many times of the smell. The shooting of Candy's dog shows the callousness of Carlson and the reality of old age and infirmity. Carlson typifies the men George describes as “the loneliest guys in the world”. He is outwardly friendly, but essentially selfish. He finds the smell of an old dog offensive so the dog must be shot. He shows very little regard to the dog’s owner, Candy. He relentlessly pursues the dog’s death, more for his own comfort than to put the dog out of its misery. However, Steinbeck does show some sympathy in Carlson, when he suggests “he won’t…show more content…
And then when Steinbeck says “the silence came into the room. And the silence lasted.” Steinbeck employs short length sentences which make the moment seem longer and intensify the significance of that specific time. After “the shot sound in the distance” we are told that Candy “slowly rolled over and faced the wall and lay silent”, this reaction suggests that candy tried to bravely take in what just happened by turning his back to it and attempting to keep unruffled. The use of short sentence shows us that initially after the shot, there were no comments by anyone which implied that it left them in shock and the realisation of what just happened was slowly sinking in everyone’s head. Steinbeck’s employment of repetition of conjunctions with ‘and’ lengthens the sentence at the end, expanding the climax of the scene, as the audience wants to know what happened to Candy, after his most beloved companion has gone. Carlson even cleans his gun in front of Candy after the deed is done, this reinforces his brutal character. While it may be true that killing the dog put it out of its misery, little concern is shown for Candy's feelings after a lifetime of caring for the dog. Now Candy is like the rest of them —

In John Steinbeck's novel 'Of Mice and Men', the death of Candy's dog symbolises the loneliness of the ranch workers, and demonstrates that there is no place for affection or sentimentality in their lives. Early on in the novel, George states that men who work on ranches are the 'loneliest guys in the world'. The transitive nature of the work means that it is difficult to form lasting relationships, and there is no room for sentimentality in the world they live in. This harsh reality is demonstrated by the death of Candy's dog, who is too old to be useful. Carlson, says 'He ain't no good to you... why n't you shoot him Candy?', demonstrating that the only reason the workers can comprehend for Candy keeping the dog is its usefulness. There is no provision made for the possibility that Candy's affection for the dog is enough reason to keep it.The dog also symbolises Candy himself. The dog has reached the end of its working life, and instead of being cared for in its old age, it is shot; because it is no longer of use to anyone, it is no longer worth keeping alive. Just before Candy's dog is shot, Slim remarks 'I wish't somebody'd shoot me if I got old and a cripple'. This reflects Candy's own situation; he has become useless in the context of the ranch to the extent that, in his position, Slim thinks that he would be better off dead. He is old and disabled, and no longer able to work effectively. However, he lives in a society where there is no provision for the care of the elderly, and so despite a lifetime of work, Candy is left to fend for himself without support. Candy is no longer of use, and so his life no longer carries any worth.

From Slim and George returning to the bunkhouse to George comforting Lennie after the fight with Curley.

Summary

At the end of the workday, Slim and George return to the bunkhouse. Slim has agreed to give one of the pups to Lennie, and George thanks him for his kindness, insisting that Lennie is “dumb as hell,” but is neither crazy nor mean. Slim appreciates George’s friendship with Lennie, saying that it is a welcome change in a world where no one ever “seems to give a damn about nobody.” George confides in Slim the story of how he and Lennie came to be companions. They were born in the same town, and George took charge of Lennie after the death of Lennie’s Aunt Clara. At first, George admits, he pushed Lennie around, getting him to do ridiculous things, such as jumping into a river even though he didn’t know how to swim. After watching his friend nearly drown, George felt ashamed of his behavior. Since that day, he has taken good care of his companion, protecting him even when he gets in trouble. For example, in Weed, the last town where they worked, Lennie wanted to touch the fabric of a girl’s red dress. When she pulled away, Lennie became frightened and held on to her until George hit him over the head to make him let go. The girl accused Lennie of rape, and George and Lennie had to hide in an irrigation ditch to escape a lynch mob.

Lennie comes into the bunkhouse, carrying his new puppy under his coat. George berates him for taking the little creature away from its mother. As Lennie returns the puppy to the litter, Candy and Carlson appear. Carlson begins to complain again about Candy’s dog, saying that it stinks and that it “ain’t no good to himself.” He urges Candy to shoot the animal. Candy replies that he has had the dog for too many years to kill it, but Carlson continues to pressure him. Eventually Slim joins in, suggesting that Candy would be putting a suffering animal out if its misery. Slim offers him a puppy and urges him to let Carlson shoot the dog. Another farmhand, Whit, enters and shows Slim a letter written by a man they used to work with published in a pulp magazine. The short letter praises the magazine. As the men marvel over it, Carlson offers to kill the dog quickly by shooting it in the back of the head. Reluctantly, Candy gives in. Carlson takes the dog outside, promising Slim that he will bury the corpse. After a few awkward moments of silence, the men hear a shot ring out, and Candy turns his face to the wall.

Crooks, the black stable-hand, comes in and tells Slim that he has warmed some tar to put on a mule’s foot. After Slim leaves, the other men play cards and discuss Curley’s wife, agreeing that she will make trouble for someone; as George says, “She’s a jailbait all set on the trigger.” Whit invites George to accompany them to a local whorehouse the following night. Whit discusses the merits of old Susy’s place over Clara’s, it being cheaper and having nice chairs, but George comments that he cannot afford to waste his money because he and Lennie are trying to put together a “stake.” Lennie and Carlson come in. Carlson cleans his gun and avoids looking at Candy. Curley appears looking for his wife again. Full of jealousy and suspicion, he asks where Slim is. When he learns that Slim is in the barn, he storms off in that direction, followed by Whit and Carlson, who hope to see a fight.

George asks Lennie if he saw Slim with Curley’s wife in the barn, and Lennie says no. George warns his companion against the trouble that women cause, and then Lennie asks him to describe the farm that they hope to buy. As George talks, Candy listens and becomes excited by the idea of such a beautiful place. He asks if the place really exists. George is guarded at first, but soon says that it does and that the owners are desperate to sell it. Overcome with hope, Candy offers to contribute his life’s savings if they allow him to live there too. Since he is old and crippled, he worries that the ranch will let him go soon. The men agree that after a month of work at this ranch, they will have enough money saved to make a down payment on the house. George tells the other two not to tell anyone else about their plan. As they hear the other men’s voices approaching, Candy says quietly to George that he should have shot his old dog himself, and not let a stranger do it.

Slim, Curley, Carlson, and Whit return. Curley apologizes to Slim for his suspicions, and then the other men mock him. Knowing that Slim is too strong to be beaten in a fight, Curley looks to vent his rage elsewhere. He finds an easy target in Lennie, who is still dreaming of the farm and smiling with childlike delight. Though Lennie begs to be left alone, Curley attacks him. He throws several punches, bloodying Lennie’s face, and hits him in the gut before George urges Lennie to fight back. On George’s command, Lennie grabs Curley’s right hand and breaks it effortlessly. As Slim leads Curley away to a doctor, he warns him not to have George and Lennie fired, or he will be made the laughingstock of the ranch. Curley consents not to attempt to have them fired. George comforts Lennie, telling him that the fight was not his fault and that he has nothing to fear. Lennie’s only fear is that he will not be allowed to tend the rabbits on their farm. George assures him that he will.

Analysis

During George’s conversation with Slim, Steinbeck establishes the origins of Lennie and George’s relationship in a few broad strokes. Theirs is a childhood relationship grown into a rare adult companionship. After years of torturing and taking advantage of his friend, George had a moral awakening, realizing that it is wrong to make a weaker living being suffer for sport. This conviction runs counter to the cruel nature of the world of the ranch-hands, in which the strong hunt down and do away with the weak. In this section, the death of Candy’s dog testifies to the pitiless process by which the strong attack and eliminate the weak. Candy’s dog—although no longer useful at corralling sheep—is of great importance to the old swamper. Candy’s emotional attachment to the dog is clear. Regardless, allowing the animal to live out its days is not an option in this cruel environment. Carlson insists that the animal’s infirmity makes it unworthy of such devotion. The most comfort he can offer is to assure Candy that he will kill the dog mercifully and quickly. When Slim, the story’s most trusted source of wisdom, agrees, he only confirms that their world is one that offers the weak and disempowered little hope of protection.

Read important quotes about Candy’s dog.

“We’d just go to her,” George said. “We wouldn’t ask nobody if we could. Jus’ say, ‘We’ll go to her,’ an’ we would. Jus’ milk the cow and sling some grain to the chickens an’ go to her.”

See Important Quotations Explained

Nearly all of the characters in Of Mice and Men are disempowered in some way. Whether because of a physical or intellectual handicap, age, class, race, or gender, almost everyone finds him- or herself outside the structures of social power, and each suffers greatly as a result. Inflexible rules dictate that old men are sent away from the ranch when they are no longer useful and black workers are refused entrance to the bunkhouse. While the world described in the book offers no protection for the suffering, there are small comforts. Lennie and George’s story is one such reprieve. The power of their vision of a simple life on an idyllic little farm rests in its ability to soothe the afflicted. In the opening chapter, this vision acts like a salve for Lennie and George after their tumultuous departure from Weed; now, it rouses Candy out of mourning for his dog. As soon as the lonely old man overhears George and Lennie discussing their plans, he seems pitifully eager to join in this paradise. Talking about it again also manages to calm and comfort Lennie after his upsetting run-in with Curley. Despite the fact that with Candy’s help the possibility of purchasing the farm grows more real for George and Lennie than ever before, it is clear that tragic events will intervene. George’s story will prove to be only a temporary escape from the world’s troubles, not a cure.

Read more about the incident that forced George and Lennie out of Weed.

Steinbeck advances the narrative toward the inevitable tragedy through many instances of foreshadowing in this section. The story of Lennie’s behavior in Weed and his performance in the fight with Curley establish his tendency to exert great strength when confused and frightened. Combined with George’s earlier observation that Lennie kept accidentally killing mice while petting them, these events heavily anticipate Lennie’s deadly interaction with Curley’s wife in the book’s climactic scene. Furthermore, the method by which Carlson kills Candy’s dog, with a painless shot to the back of the head, sadly mirrors the way George will choose to murder his dearest friend. It is no coincidence that soon after George confides in Slim that he has known Lennie since childhood, Candy pathetically says that he could never kill his dog, since he has “had him since he was a pup.” Most significant is Candy’s quiet comment to George that he wishes he had shot his old dog himself and not allowed a stranger to do it, a distinct foreshadowing of the decision George will make to kill Lennie himself rather than let him be killed by Curley and the others.

Read more about why Carlson shoots Candy’s dog.